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https://hdl.handle.net/11000/38866Registro completo de metadatos
| Campo DC | Valor | Lengua/Idioma |
|---|---|---|
| dc.contributor.advisor | Martínez Gómez de Albacete, Juan Francisco | - |
| dc.contributor.author | Coves Miralles, Estela | - |
| dc.contributor.other | Departamentos de la UMH::Arte | es_ES |
| dc.date.accessioned | 2026-01-12T16:42:02Z | - |
| dc.date.available | 2026-01-12T16:42:02Z | - |
| dc.date.created | 2025-07-17 | - |
| dc.identifier.uri | https://hdl.handle.net/11000/38866 | - |
| dc.description.abstract | Este Trabajo de Fin de Grado, de marco artístico, presenta una producción escultórica desarrollada en resina acrílica mediante los procesos técnicos de moldeado, modelado y vaciado. El proyecto consiste en la creación de tres figuras demoníacas que simbolizan una trinidad de fuerzas destructivas contemporáneas: la falta de rumbo, el consumismo y la hipersexualización competitiva. La obra se fundamenta en un proceso creativo y reflexivo que integra investigación conceptual y técnica, explorando cómo estas problemáticas sociales afectan al individuo en el contexto actual | es_ES |
| dc.description.abstract | This final degree project, in the artistic field, focuses on the creation of a sculptural series of three figures in acrylic resin. These pieces, conceived as a symbolic demonic trinity, function as a visual metaphor for the destructive forces that characterise contemporary crises, such as the lack of existential direction, rampant consumerism and competitive hypersexualisation. The proposal is based on a conceptual investigation that explores the impact of these social problems on individual identity, on the subject's perception of himself and on his positioning within the current complex social framework. Through sculptural language, the project seeks to generate works that, from their symbolism, critically dialogue with these realities, provoking in the spectator an active reflection on his or her role and responsibility. The sculptural materialisation has been carried out through a rigorous technical process that ranges from the conceptual design and modelling in wax and professional pastes, to the elaboration of silicone moulds and the final casting in acrylic resin, guaranteeing coherence between the execution and the artistic discourse | es_ES |
| dc.format | application/pdf | es_ES |
| dc.format.extent | 19 | es_ES |
| dc.language.iso | spa | es_ES |
| dc.publisher | Universidad Miguel Hernández de Elche | es_ES |
| dc.rights | info:eu-repo/semantics/openAccess | es_ES |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.subject | Crítica Social | es_ES |
| dc.subject | Trinidad demoníaca | es_ES |
| dc.subject | Escultura | es_ES |
| dc.subject | Metáfora visual | es_ES |
| dc.subject | Crisis contemporánea | es_ES |
| dc.subject.other | CDU::7 - Bellas artes | es_ES |
| dc.title | Estudios y resultados de la demonología a través del ámbito escultórico | es_ES |
| dc.type | info:eu-repo/semantics/bachelorThesis | es_ES |

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