Título : Del analógico al digital: efectos visuales y narrativa cinematográfica |
Autor : Romero Alacid, Juan Francisco |
Tutor: Cuellar Santiago, Francisco |
Editor : Universidad Miguel Hernández de Elche |
Departamento: Departamentos de la UMH::Ciencias Sociales y Humanas |
Fecha de publicación: 2024-06 |
URI : https://hdl.handle.net/11000/33499 |
Resumen :
Este trabajo de fin de grado (TFG) examina la evolución de los efectos visuales (VFX) desde
sus inicios hasta la actualidad, centrándose en la transición del formato analógico al digital y
su impacto en la integración de elementos CGI. A través de una revisión histórica, se
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This final degree project (TFG) examines the evolution of visual effects (VFX) from their
beginnings to the present day, focusing on the transition from analog to digital format and its
impact on the integration of CGI elements. Through a historical review, key milestones in the
development of VFX are highlighted, from traditional optical techniques to sophisticated
digital tools. The study includes a practical experiment comparing footage shot in both analog
and digital formats, integrating the same 3D element into both. The results show that digital
integration is simpler and more precise, thanks to current tools that allow for greater accuracy
and efficiency. In contrast, the analog format faces greater challenges, such as alignment and
camera tracking issues, resulting in visual inconsistencies. However, it is observed that the
analog format offers a unique aesthetic and emotional quality due to its imperfections and
technical flaws, which can enrich the narrative. This is evident in the cultural perception of low-quality videos associated with paranormal phenomena, where technical defects enhance
verisimilitude. Additionally, the importance of visual references in integration is highlighted.
While the digital format facilitates technical integration, the analog format provides
significant narrative value. The choice of format should consider both technical precision and
the desired emotional and aesthetic impact, proposing a possible coexistence and appreciation
of both techniques in contemporary cinema.
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Palabras clave/Materias: Efectos visuales Analógico Digital CGI Narratividad Visual effects Analog Narrativity |
Área de conocimiento : CDU: Bellas artes: Fotografía. Cinematografía |
Tipo de documento : info:eu-repo/semantics/bachelorThesis |
Derechos de acceso: info:eu-repo/semantics/openAccess Attribution-NonCommercial-NoDerivatives 4.0 Internacional |
Aparece en las colecciones: TFG - Doble Grado en Comunicación Audiovisual y Periodismo
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