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dc.contributor.authorJurado Martín, Montserrat-
dc.contributor.otherDepartamentos de la UMH::Ciencias Sociales y Humanases_ES
dc.date.accessioned2024-10-02T11:00:56Z-
dc.date.available2024-10-02T11:00:56Z-
dc.date.created2023-06-12-
dc.identifier.citationCatalan Journal of Communication & Cultural Studies, Volume 15, Issue 1, Apr 2023, p. 143 - 150es_ES
dc.identifier.issn1757-1901-
dc.identifier.issn1757-1898-
dc.identifier.urihttps://hdl.handle.net/11000/33358-
dc.description.abstractCOVID-19 caused many cultural events to change, also encouraged by the demand of an audience that would otherwise no longer have had access to culture. Among the diverse types of film festivals, it was the festival-driven form that appeared most vulnerable in pandemic times. Consequently, many of them faced important challenges to try to maintain their status and continuity. From personal interviews to directors or coordinators of film festivals in the Alicante region (Spain) this viewpoint aims at knowing how they managed their events in 2020 to use this experience for the future.es_ES
dc.formatapplication/pdfes_ES
dc.format.extent8es_ES
dc.language.isoenges_ES
dc.publisherIntellectes_ES
dc.rightsinfo:eu-repo/semantics/openAccesses_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectcinematographic competitiones_ES
dc.subjectcinemaes_ES
dc.subjectcultural industrieses_ES
dc.subjectcreative industrieses_ES
dc.subjectaudienceses_ES
dc.subjectaids sponsorses_ES
dc.subject.otherCDU::3 - Ciencias socialeses_ES
dc.titleFilm festivals in times of COVID-19: Online vs. live events – The case of Alicante regiones_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publisherversionhttps://doi.org/10.1386/cjcs_00082_7es_ES
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